User login
Vintage Ads
Vintage Ads
c1919 perfume ad
©Ad for “Griffonnage” Perfume by Jacques Griffe from a 1949 French magazine. Art by René Gruau.![Tue, 2025-03-25 09:35 - Ad sponsored by O’Keefe’s Brewing Company of Canada.
“From the rich, colorful Orient, to the busy ports of England, Canada’s ships sail the seas, laden with the products of Canadian soil and Canadian craftsmanship. The pride that Canadians take in their work is reflected in the excellence of the products she exports. Within the short span of the last 18 years, our external trade to 51 countries has increased by $1,500,000,000!
“Golden wheat for Europe’s starving millions . . . nickel and newsprint . . . lumber, furs and machinery . . . are among the ever-increasing total of Canada’s products that make her the third largest exporting nation.
“And the demand for Canadian products will be greater in future. Canada can meet those demands because there’s room to grow in Canada Unlimited.” [From the ad copy]
Canada's external trade has grown significantly since the days of 'Canada Unlimited.' As of 2022, Canada's total merchandise exports amounted to approximately $779 billion, while imports were around $759 billion, resulting in a trade surplus of $19.7 billion. The United States remains Canada's largest trading partner, accounting for the majority of exports and imports.
Canada's trade continues to thrive, with energy products playing a significant role, contributing to a record 27.2% of total exports in 2022. The resilience of Canadian trade is evident, even in challenging global environments.
[Source: Bing Copilot]](https://live.staticflickr.com/65535/54423037505_393496b7ab_q.jpg "Tue, 2025-03-25 09:35 - Ad sponsored by O’Keefe’s Brewing Company of Canada.
“From the rich, colorful Orient, to the busy ports of England, Canada’s ships sail the seas, laden with the products of Canadian soil and Canadian craftsmanship. The pride that Canadians take in their work is reflected in the excellence of the products she exports. Within the short span of the last 18 years, our external trade to 51 countries has increased by $1,500,000,000!
“Golden wheat for Europe’s starving millions . . . nickel and newsprint . . . lumber, furs and machinery . . . are among the ever-increasing total of Canada’s products that make her the third largest exporting nation.
“And the demand for Canadian products will be greater in future. Canada can meet those demands because there’s room to grow in Canada Unlimited.” [From the ad copy]
Canada's external trade has grown significantly since the days of 'Canada Unlimited.' As of 2022, Canada's total merchandise exports amounted to approximately $779 billion, while imports were around $759 billion, resulting in a trade surplus of $19.7 billion. The United States remains Canada's largest trading partner, accounting for the majority of exports and imports.
Canada's trade continues to thrive, with energy products playing a significant role, contributing to a record 27.2% of total exports in 2022. The resilience of Canadian trade is evident, even in challenging global environments.
[Source: Bing Copilot]")
©“There’s room to grow in Canada Unlimited.” Ad in Super Science Stories, January, 1949. Art by Rex Woods.![Sun, 2025-03-30 08:23 - The 1946 Packard was a significant model, marking the company's return to civilian car production after World War II. It was part of the Clipper series, which featured a sleek, aerodynamic design that stood out from the boxier pre-war styles. The 1946 Packard Clipper was known for its luxurious interiors, high-quality materials, and innovative features like an optional overdrive transmission for better fuel efficiency. It was a symbol of post-war optimism and even served as the pace car for the 1947 Indianapolis 500.
As for why Packard eventually went out of business, it was a combination of factors. The company struggled with poor management decisions, such as moving production to a smaller, less efficient plant, which led to quality issues. Additionally, Packard's attempt to compete with mass-market brands like Ford and Chevrolet diluted its luxury image. The merger with Studebaker in the 1950s also proved disastrous, as Studebaker's financial troubles drained Packard's resources. Ultimately, these challenges, combined with increasing competition from the 'Big Three' automakers (GM, Ford, and Chrysler), led to Packard's demise in the late 1950s.
[Sources: Metrommp.com, ConceptCarz.com, Hagerty.com, Hemmings.com, and HotCars.com]](https://live.staticflickr.com/65535/54422407296_4ec03ff54d_q.jpg "Sun, 2025-03-30 08:23 - The 1946 Packard was a significant model, marking the company's return to civilian car production after World War II. It was part of the Clipper series, which featured a sleek, aerodynamic design that stood out from the boxier pre-war styles. The 1946 Packard Clipper was known for its luxurious interiors, high-quality materials, and innovative features like an optional overdrive transmission for better fuel efficiency. It was a symbol of post-war optimism and even served as the pace car for the 1947 Indianapolis 500.
As for why Packard eventually went out of business, it was a combination of factors. The company struggled with poor management decisions, such as moving production to a smaller, less efficient plant, which led to quality issues. Additionally, Packard's attempt to compete with mass-market brands like Ford and Chevrolet diluted its luxury image. The merger with Studebaker in the 1950s also proved disastrous, as Studebaker's financial troubles drained Packard's resources. Ultimately, these challenges, combined with increasing competition from the 'Big Three' automakers (GM, Ford, and Chrysler), led to Packard's demise in the late 1950s.
[Sources: Metrommp.com, ConceptCarz.com, Hagerty.com, Hemmings.com, and HotCars.com]")
©“America’s No. 1 Glamour Car” Ad for the 1946 Packard in “The Saturday Evening Post,” November 17, 1945.
paris magazine - match - maggio 1971 - advertising
paris magazine - match - maggio 1971 - advertisingYou are here
The Assumption of Powerlessness
People do not choose to be victims, or so the compassionate-sounding victim’s advocates tell us. I will leave voluntary victimhood for future discussion, and instead raise the notion of Assumptive Powerlessness.
Here’s Vox Day, challenging the standard negative reaction by women to breast augmentation:
Given the hatred so many women harbor for more attractive women, I suspect that the real source of Irrational Implant-Induced Irritability is that it forces a woman to admit that she has a choice in a matter wherein she would prefer to believe she has none. I think this is similar to the dislike many of the unfit harbor for the fit, it's much nicer to think that the status quo is not your fault and there's simply nothing you can do. Whereas the flat woman can look at the natural D-cup with only mild envy, the augmented D-cup presents her with a direct challenge: you too can look like this if you so choose.
If there is truly “nothing you can do,” you are absolved of responsibility. You may still suffer, but at least it isn’t your fault. Surrender is peace. Or peace of mind.
But then someone substantially the same as you demonstrates personal empowerment. Your assumption of powerlessness is collapsed. You are now responsible for both your own suffering, and for extending its duration.
That’s gotta hurt.
Seems a better position to never assume you cannot improve your condition. Even if you’re wrong, you’ll never know. Because if people like you are truly powerless, none of them can stick their full and pert successes in your face.